Article

Benny in Bloom

Topic: Television and Radio ProgrammingPublished October 5, 2011

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“Jack Benny was arguably the funniest person on network radio,” says Dr Charles Laughlin. “He got laughs doing anything or nothing. A facial gesture, heard or seen, a well-timed pause or a slight shift in vocal tone was enough to put me in stitches. “Trips down to his Vault were masterpieces. There was a toothless alligator in the moat, an old guard, Ed, and creaking doors. The Vault verged on the surreal, leaving the audience aching from too much laughter,” says Laughlin. Benny was his best saying nothing. Media silence is a cardinal sin in the USA and surreal. In silence, Benny found the longest, loudest laughs. “Benny was most adept at the drawn-out, slow, silent take,” says Howard Lapides, the LA-based talent manager. “No one caused such hysteria, with only a look. He’d turn to the audience; his look, always tranquil, part hurt feelings and part perplexity.” When Benny boasted, too much, Mary Livingstone might say, sternly, “Oh, shut up.” Benny would gaze, silently, at the audience; his hand, perhaps, to his left cheek, his eyes screaming, “Why me.” “The laughter would go on for twenty seconds, which is a long, long time,” says Laura Leff. The studio audience saw his reaction. Radio listeners imagined it. Either way, Benny caused much laughter and pleasure. “Knowing when to speak is good,” said Benny. “It’s best to know when to pause.” Benny is unique for taking, not giving, a punch line that got a huge laugh. “The laugh Benny got was in his reaction,” says Burt Dubrow. “Few stars, then or now, take punch lines, as expertly as did Benny,” says Leff. “Yet, he never became a punching bag.” “Besides,” says Burt Dubrow, “Jack Benny never stole a line. He didn’t believe he had to get the laugh.” On other shows, script re-writes made sure the star got the laugh. “The laugh came on the Benny show. That was enough,” says Lapides. Benny built a team of writers, actors and players that created a world. The audience had to learn how to hear the show. “Benny,” says Lapides, “was an inside job: learn to navigate the show, get the jokes and laugh.” “Frasier” was much the same. The team created, Benny decided. He decided whom to hire, such as writers, actors and players. He approved the storylines or running gags as well as the guests on his shows. These were critical decisions. Benny eagerly bore the weight other stars declined. Rarely mentioned, Jack Benny created Johnny Carson, who hosted the “Tonight Show” for thirty years before Leno, Conan and Leno. “Carson idolized Benny and Benny loved Carson,” says Burt Dubrow. “Carson adapted much of Benny for his own ends, most notably, the look of bewilderment. This got Carson huge laughs from calculatedly mediocre jokes.” “Carson wasn’t only a great television comedian,” says Dick Summer. “He was the grand master because of Jack Benny. Both remembered and revered, today, as in their heydays.” rnClick here to read the complete story of Jack Benny.

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